Introducing The Singing Chapmans: Just Over In The Glory Land

 

    Some time ago I digitized all the audio from the record album "Introducing The Singing Chapmans."  The album has 12 songs.  It's one of two albums I know of that has my Uncle Freil playing the piano.  (He also did a couple of CDs solo, but those are easier to find.)  I chose to feature "Just Over In The Glory Land" because it's one of my childhood favorites.  Even better, there's a fair amount of interesting history involved with the song.

    According to TraditionalMusic.com, the words were written by James W. Acuff (1864 – 1937), and the music by Emmett S. Dean (1876 – 1951)

    Per Pixabay, James Acuff wrote it in 1906, so the song is considered Public Domain.

 As always, their midi is clear and pure. Nothing fancy or complicated which makes learning the melody much easier if you’re a ‘play by ear’ pianist.

    I can remember Freil Playing and Aunt Elsie Mae singing this song in church.  And through the years, heard Freil play it just about anywhere there was a piano available.  Eventually it became one of my favorites to play myself, not as nuanced as Freil's playing but brash and bold, and full of joy.  (The result of not knowing as many non-major chords as Freil.)  

    Going back to digitizing the record... it was a loan from my sister, so I had to get the songs to computer quickly and return the album.  It was convenient to do that work immediately, with the intention of going back later and getting them onto Youtube.  So of course they languished forgotten on the computer for a couple of months.  Now they're online.  You can play the video above, and click on "play on YouTube" to see the rest of them.  I may feature a few more from the album, but it will be over time, no rush.

    So far, the songs done by "The Singing Chapmans" have not been easy to research.  It's been difficult to find much about each individual song, and discouraged me from doing each and every one.  In this case, "Glory Land" is well-known, with a bit of history, a bit of lore and some confusion about the song's provenance scattered thoughout the internet.  Here are a few of the links and claims:

    Timeless Truths has a nice looking page, and is one of my favorite resources for information about gospel music. But in this case, they’re a bit sparse on information.  They agree it was writtten by James W. Acuff, and specify that it was PUBLISHED in 1906.  They also state that the copyright is Public Domain. They have the words, sheet music, and a midi file to listen to.

    But the end-all and be-all is an extremely-well researched article by Henrik Smith-Sivertsen. I found out much more than anticipated, and far beyond the scope of southern gospel I usually stick to. Smith-Sivertsen writes that “Just Over In The Glory-Land” was first published in the hymn book “Glad Hosannas: A Winnowed Collection of New and Old Songs for Christian Work and Worship”, in 1906. He gives credit for the lyrics to Acuff, the music to Emmett S. Dean, but goes on to name Dean as the editor of the hymn book, and part owner of the publishing company. The fascinating part, and this explains why some websites seem confused about the copyright, is that another publisher, R. E. Winsett, obtained “renewed copyrights” to the song.

    The article in full is worth digging into, and with an extensive bibliography, seems likely the most authoritative and trustworthy document of the song's history.  

    I personally agree with the articles and websites that list "Glory Land" as a public domain.  Especially after this year, because January 1st, 2023 marks the date for everything published up to the year 1927 (U.S. only; other countries have different laws.) There's a wonderfully detailed article by Jennifer Jenkins regarding copyright.  It's a fantastic read and very worth the time if you're interested in the Public Domain.

    As a matter of fact, she mentions that on January 1, 2024, the first ever appearance of Mickey and Minnie Mouse will enter the public domain!  Imagine that... I bet Disney is having fits about it.  Even Sherlock Holmes no longer has copyright protection.  Until 2023, Sir Arthur Conan Doyle's last two Sherlock Holmes stories have been under copyright protection.  As of this year, everything Doyle wrote about Holmes is in the Public Domain. If even the Doyle Estate, and even more so, The Mouse, can't keep their characters out of the public domain, there's no reason a song published in 1906 would still be copyrighted.

It's safe to say, out of all the posts I published in the original Grace Notes, this was by far the easiest yet most overwhelming song to research.  Some day I'll post another blog about "Just Over In The Glory Land", but next time... it'll be with my rendition on piano.  I do believe I mentioned it being one of my favorite songs to play.  :^)

The Singing Chapmans: Something I Can Feel, & One Day I Will

    "Something I Can Feel" is the fourth song on side one of The Singing Chapmans "Redeemed By The Crucified One" album.  The song was written by Elmer Cole. For lyrics, click HERE.

    I've tried learning about Elmer Cole's life, and what else he wrote, but nearly every mention I can find is in reference to an article about someone else.  If you can point me to any website or article that has authoritative information, please leave the link in a comment.  It's hard to believe how little there is, when he's written songs like "I Found The Answer", I'm Looking for Jesus, and the fantastic "Ten Thousand Years." (This info, and a little bit more, were on the blog Southern Gospel Tidbits.)

    I found multiple mentions of him being with Willie Wynn and the Tennesseans, but again, his name was included, but no further information.  I'm not so familiar the most of the songs I can find for him, but have heard "Ten Thousand Years" all my life.  It was one of the songs Aunt Elsie Mae sang (and Uncle Freil played) as a special in church.

    "One Day I Will" is the fifth song on "Redeemed By The Crucified One."  It was composed by Walt Mills and John Stallings, or perhaps written by John Stallings, and performed by Walt Mills.  What little I could find seemed unclear, none of it from an authoritative source.  The lyrics can be found on Bluegrass Lyrics.com.

    Again, there's not much available other than their names being included/listed on a large number of websites.  Certainly no life stories, inspirations, or quotes.  There are some Youtube videos if you search, but again, nothing I'd consider a reliable source.  This is starting to look like a trend.  I'm not sure if it's more modern gospel, less-known gospel, or if the nature of online information has changed.  

    Over ten years ago, it seemed there was never a shortage of information about gospel composers and musicians.  This blog, "Grace Notes", is a recreation of a blog I kept from around 2012-2022.  Actual life got in the way, the site languished, and eventually I let it go.  This is a recreation of the spirit of that blog.  Years ago, there were Wikis, active forums, personal accounts, historical sites, all kinds of sources to help paint a picture of the songwriters that influenced my childhood.  Now, it's a desert.  Maybe I'm just not using the best search terms.  

    Whatever the case is, I'll leave you with these two songs for now.  For future posts, if I can't find enough information about the writers, or the song, I'll just give whatever brief details there are, and include multiple songs per blog.  No sense filling up all my pages with "I don't know, and can't find out."

It's been a busy week at work, to the point several friends from other offices are chipping in and helping to get the work done.  Tomorrow's Friday.  I'm off to see my parents on Saturday.  Something to look forward to.  I can't wait!

Update - More Music by Freil Thrift

     It's been a few days.  Real life has been pretty time-consuming.  I wanted to pop in with a bit of news.  A few posts ago, I mentioned a Hi-8 video, and an audio cassette tape, that might be out in the shed, and that might have Freil playing music on them.  That's an exciting possibility.  Today I went to see my folks, and Mom found TWO audio tapes that have Freil recorded on them.  Plus ONE cd that definitely has him playing, one that MIGHT have him, and another one that probably doesn't, but going to check out just in case.  These are all home recordings/burnt CDs.  Nothing professionally generated.  But still, there's a potential treasure trove of music I've never heard him play, or music I haven't heard in many years.

    So, tomorrow I'll root around the house for a tape player with headphone out (or RCA jack, either is fine).  Don't know offhand where one is, but we have a LOT of old stuff.  There ought to be at least one player around here that will work.  I don't know what kind of quality to expect from the CDs, but the tapes were probably recorded on the ubiquitous radio-shack type of player/recorder that we used in the 70's.  It won't be high-quality, so my goal is to rescue the song as best as possible.  As long as it's recognizable as his piano playing, that'll have to be good enough.  Really excited to hear them!! 

    On a side note, I've been getting a lot of use out of Audacity recently.  Maybe it'll have some feature that will clean up low-quality recordings on old tapes?  Soon enough to tell when I find the hardware to play them on.  

  I jumped the gun just a bit.  Searched the house, found several tape players.  One was busted.  One only played high squeaky sounds.  One played, but only though a built-in amp, and only output to RCA jacks.  From all I've read, plugging that into my mic input jack would have likely burned out my computer's audio board.  At the moment, uploading the audio tape is at a standstill.  Got feelers out with some friends, and family.  If that doesn't work out, the next step is to buy a new one.  Bottom line, it's going to take longer than expected.  Still excited, just have to let all the options play out before spending any money.  

In the meantime, practicing a new song to record for YouTube.  Still have most of the Singing Chapmans "Redeemed" album to write about.  And still have all the songs from their "Introducing" album.  Plus rebuilding something like a decade of blogs from my original Grace Notes, including midi files and sheet music.  We're talking years worth of projects.  At least I won't be bored.

Introducing The Chapman Family ... Singing The Gospel

     I made mention that Freil Thrift was in two record albums with the Chapman family.  The one Monique found on ebay, "Redeemed By The Crucified One"... I've been posting about for several days now.  It came with 12 songs, 6 to a side.  All of those have been digitized by now, and uploaded to Youtube.  

    The seller listed it as being in "Very Good Plus".  At first, I questioned that.  There was a long shallow smudge that seemed likely to cause playback problems.  It took a day or so to gather the necessary equipment (record player, cables and converters) and re-familiarize myself with Audacity.  Recording went perfectly.  That smudge had no effect on playback.  The songs digitized perfectly - audio levels great, no clicks worth worrying about.   It went smoothly and took about an hour.  I was thrilled with it.

    The other album wasn't anywhere online to be found.  I had resigned myself to a long patient wait, when my sister told me she had one.  She called it "the green cover", and told me the one I have is the second one, while the green one is the first record Freil was ever in.  She also allowed that I might be able to borrow it.  So long as I returned it, because "it's as important as my Elvis gospel album!"
    (If you know Karen, you'll know that is the highest level of praise.)

    We were originally planning on her bringing it to Mom and Dad's for me.  I was already planning to visit this weekend.  At some point she realized she couldn't make it to the river (home is very close to the Satilla), so offered to meet up in Nahunta on my way home.  I spent yesterday "at the river."  On the way home, Karen and I met at the Gold House.  It's Nahunta's historic diner, a wonderful place to go.  Both for the memories, and the food.  They make wonderful southern food.  I love their fried chicken.  They also make about the best liver around.  And a great, thick burger and home-style fries.

    This time around, we just had coffee, and sat and talked for a bit.  Got home too tired to start digitizing the record right away.  Got up early this morning, pulled the record out.  Remember a few paragraphs ago, when I mentioned the "Very Good Plus" rating on the other album?  How I questioned it, because of the almost-scratch?  I take it back.  It deserves that rating.  When I looked at Karen's record, the rating would have been "Very Loved Plus."  This is what happens to an album when it's a family favorite, and gets played over and over... for about 50 years.

    As expected, playback wasn't perfect.  It was surprisingly good, though.  Only one spot completely skipped a word.  And that was near the end of a song, so not as high-impact as it could have been.  However.  I like that word.  It's dramatic, with a strong foreshadowing of bad news.  
    However, the album was full of clicks, and the volume was a lot lower than the other record.  To be fair, that's probably due to the way the album was created.  Audacity has a very versatile click remover.  And for the most part, it did a great job.  One or two spots I used custom settings, but most of the time default settings were fine.  Audacity also has a pretty cool amplify effect.  It calculates the highest safe level to raise volume to 0 db.  

    Click removal and the amplify effect fixed everything that could be fixed.  Did a bit of manual cutting and silence generation at the start and end of the songs.  Overall it went very well, but wound up taking three hours to get the best versions of all the songs.

    Best of all, it ended (literally) on a great note - the final song on side 2 was an instrumental, and Freil got a couple of excellent segments featuring his piano playing.  I'm thrilled at how well everything turned out.  It's going to take some time to get them turned into video clips so they can be uploaded to YouTube.  But it'll be absolutely worth it.  All those songs will be permanently available at any time, without having to add more wear to our treasured records.  And so many people who don't know the Singing Chapmans, and Freil's playing, will be able to hear and appreciate them.

These Wonderful Broken Years part II (the short-short music clip)

 Yesterday I woke up with an unusually detailed and vivid dream stuck in my head.  Aside from the general dream, there was a Victrola with wood-grained sides, off-white surface, and vividly shiny brass horn/amplifier.  There was one line of music that was crystal clear; I heard orchestral music with wind and stringed instruments, 3 female voices singing the words in gorgeous harmony, the words "These wonderful broken years, wonderful broken years, these wonderful broken years."  It was the ending line of a song I'd never heard before, and when I got up, could not find the song existing online.  

Having such a short track made me curious in the dream, so I picked up the album and examined it.  Most of the tracks were of normal width, but that last track had a very small grooved section.  The record label wasn't entirely clear, but had the song title, "These Wonderful Broken Years".  The title was in an elegant cursive script, and I could clearly read it in the dream.  When I woke, I still had the vision of the album and the melody of that final line in my memory.

After writing the (much longer) blog about the dream, I spent most of yesterday trying to get that track into mp3 form on my computer.  It took hours, because I've had a Hammer 88 for a couple of years, along with Ableton Live 10 Lite, but only learned enough back then to play live piano.  Then I set the whole thing aside for over a year, and only recently felt inspired to get it all running again.  Even the little I used to know was long gone, and the day was a long learning session.

The most frustrating part was exporting the saved melody from Ableton.  Since the input method was MIDI, I thought the export method had to be MIDI.  It took an embarrassingly long time to realize the output was not MIDI, but the other option.  I don't have that computer running at the moment, but I think it was titled "Audio", or "Song"... something like that, but NOT MIDI.

After all that, here's the musical phrase in mp3 format, repeated 3 times, for a total file length of 28 seconds.  Really short. The record album in the video is pretty close to how I saw it in my dream, including the cursive font... but it seemed larger and easier to read in the dream.
     It also has Southern Gospel/Country & Western leanings.  That's my fault - I play by ear, and this is how I play.  In the dream, it was a much purer orchestral music, like Lawrence Welk would have played... These Wonderful Broken Years

These Wonderful Broken Years

 I haven't written here in a while.  Things haven't gone as planned.  Today, I'm writing about a dream that stayed with me after waking this morning.  In the dream, I was in my grandmother's house, as it had been in my childhood.  There were people there, but I don't remember who.  It feels like they were cousins from more current times.  Not that I saw them, just heard voices in the distance.

There was a record album playing on an old-style victrola, though the machine looked brand new with wood-tone sides, an off-white face, and a brass amplifying horn that shone brighter than anything else in the dream.  The music was just background noise, pleasant old-style stuff but nothing worth paying attention to, until the final track began.  It was the kind of orchestral music you'd hear on the old Lawrence Welk show, strings, wind instruments, with female voices, in sweet three-person harmony, singing just the ending phrase of the song - "These wonderful broken years, wonderful broken years, these wonderful broken years."  Not the best lyrics, but fair enough as the closing line of a song.

The entire album track was just that one sentence, like they'd missed the beginning of the song and only recorded the last few seconds.  That was the final song on the album.  Just a fraction of a clip. In the dream, I wondered why it was so short.  I picked up the album to look at the tracks.  There were several full length ones, but that last track, the one I heard so clearly, was just a very short section.  You could see the grooves for all the other songs were normal length, but the final set of grooves was extremely short.  The record label was blurry except for the last song listed, which had the title, in an elegant cursive font, "These Wonderful Broken Years".

I can still hear the music in my mind.  It's a unique dream for several reasons.  First, I rarely remember dreaming, and when I do, it's normally just a hodgepodge of images and events.  If I have a clearly remembered dream, it's usually the result of having a high fever.  Fever dreams are ultra-realistic, and usually nightmarish.  Second, I've never before been able to 'read' in a dream.  See written material, understand it in the dream's context, yes.  But not literally see it, and read it so clearly that after the dream I can still see the record, and the text on it, and have the words be so legible and meaningful.

Third and strangest, that short clip doesn't sound like any song I can remember. It was clear, distinct, and the instruments and voices were beautiful. In my whole life, I have no recollection of ever dreaming actual music with words, much less music that sounded pretty.

I googled the words as soon as I woke up, but there were no exact matches.  The dream is already fading, but the clip of music is still in my head.  I'll play it on my keyboard and save the sound file, to make sure I won't forget the tune.  I really wish the dream had played a whole song.  It's going to haunt my thoughts, wondering why and how the dream was so specific and so realistic.  It had a nice melody, instruments and voice harmonizing well, clearly remembered words and written text that was actually legible.  It feels like there should be meaning to it, but as far as I can tell there's no meaning.  Just an incredibly clear fragment of a dream.