Introducing The Singing Chapmans: Just Over In The Glory Land

 

    Some time ago I digitized all the audio from the record album "Introducing The Singing Chapmans."  The album has 12 songs.  It's one of two albums I know of that has my Uncle Freil playing the piano.  (He also did a couple of CDs solo, but those are easier to find.)  I chose to feature "Just Over In The Glory Land" because it's one of my childhood favorites.  Even better, there's a fair amount of interesting history involved with the song.

    According to TraditionalMusic.com, the words were written by James W. Acuff (1864 – 1937), and the music by Emmett S. Dean (1876 – 1951)

    Per Pixabay, James Acuff wrote it in 1906, so the song is considered Public Domain.

 As always, their midi is clear and pure. Nothing fancy or complicated which makes learning the melody much easier if you’re a ‘play by ear’ pianist.

    I can remember Freil Playing and Aunt Elsie Mae singing this song in church.  And through the years, heard Freil play it just about anywhere there was a piano available.  Eventually it became one of my favorites to play myself, not as nuanced as Freil's playing but brash and bold, and full of joy.  (The result of not knowing as many non-major chords as Freil.)  

    Going back to digitizing the record... it was a loan from my sister, so I had to get the songs to computer quickly and return the album.  It was convenient to do that work immediately, with the intention of going back later and getting them onto Youtube.  So of course they languished forgotten on the computer for a couple of months.  Now they're online.  You can play the video above, and click on "play on YouTube" to see the rest of them.  I may feature a few more from the album, but it will be over time, no rush.

    So far, the songs done by "The Singing Chapmans" have not been easy to research.  It's been difficult to find much about each individual song, and discouraged me from doing each and every one.  In this case, "Glory Land" is well-known, with a bit of history, a bit of lore and some confusion about the song's provenance scattered thoughout the internet.  Here are a few of the links and claims:

    Timeless Truths has a nice looking page, and is one of my favorite resources for information about gospel music. But in this case, they’re a bit sparse on information.  They agree it was writtten by James W. Acuff, and specify that it was PUBLISHED in 1906.  They also state that the copyright is Public Domain. They have the words, sheet music, and a midi file to listen to.

    But the end-all and be-all is an extremely-well researched article by Henrik Smith-Sivertsen. I found out much more than anticipated, and far beyond the scope of southern gospel I usually stick to. Smith-Sivertsen writes that “Just Over In The Glory-Land” was first published in the hymn book “Glad Hosannas: A Winnowed Collection of New and Old Songs for Christian Work and Worship”, in 1906. He gives credit for the lyrics to Acuff, the music to Emmett S. Dean, but goes on to name Dean as the editor of the hymn book, and part owner of the publishing company. The fascinating part, and this explains why some websites seem confused about the copyright, is that another publisher, R. E. Winsett, obtained “renewed copyrights” to the song.

    The article in full is worth digging into, and with an extensive bibliography, seems likely the most authoritative and trustworthy document of the song's history.  

    I personally agree with the articles and websites that list "Glory Land" as a public domain.  Especially after this year, because January 1st, 2023 marks the date for everything published up to the year 1927 (U.S. only; other countries have different laws.) There's a wonderfully detailed article by Jennifer Jenkins regarding copyright.  It's a fantastic read and very worth the time if you're interested in the Public Domain.

    As a matter of fact, she mentions that on January 1, 2024, the first ever appearance of Mickey and Minnie Mouse will enter the public domain!  Imagine that... I bet Disney is having fits about it.  Even Sherlock Holmes no longer has copyright protection.  Until 2023, Sir Arthur Conan Doyle's last two Sherlock Holmes stories have been under copyright protection.  As of this year, everything Doyle wrote about Holmes is in the Public Domain. If even the Doyle Estate, and even more so, The Mouse, can't keep their characters out of the public domain, there's no reason a song published in 1906 would still be copyrighted.

It's safe to say, out of all the posts I published in the original Grace Notes, this was by far the easiest yet most overwhelming song to research.  Some day I'll post another blog about "Just Over In The Glory Land", but next time... it'll be with my rendition on piano.  I do believe I mentioned it being one of my favorite songs to play.  :^)

Freil Thrift on Piano; from a 30-year old video Using AV2HDMI!

    I've been tearing my shed apart trying to find old recordings of my uncle Freil playing piano.  This VHS tape is over 30 years old, so it's not perfect, but it really means a lot to hear him play again!  I've found several others, but this is exceptional.  Nearly 25 minutes of video with Freil playing, and there are quite a few songs I don't have recorded anywhere else.  The video quality is rough, the tape is stretched, and the VCR's auto-tracking couldn't compensate enough.  But this may be the only surviving copy, and I'm grateful it works at all.

    The search for more recordings is just about over.  I've gone through nearly every box that could possibly hold any more.  Haven't found the Hi-8 tape I was actually hunting... but did turn up some audio cassettes and vhs tapes. Even got my hands on a couple of record albums he played on.  

    This videotape was recorded somewhere between 1990 and 1991.  Maybe on multiple days.  It wasn't made by me, and I have no recollection of how it came to be in my storage.  It's an awesome video.  The quality's not great... probably a copy, but more importantly, the tape is about 33 years old at this time.  VHS wasn't meant to last this long, way back then nobody knew for sure how long it would hold up.  It certainly hasn't been kept in optimal conditions.  Most of those years were in a box in a shed.

    As a result, the quality would be unacceptable, had it not been for the unique and irreplaceable nature of the subject.  For a few weeks, I couldn't even test it out.  The old digitizer (EZCap) that worked years ago no longer works.   The computer identifies it as attached hardware, but I couldn't find any software able to use it.

 

    In a previous post, I mentioned a YouTube guide by Jumble that explained an inexpensive setup to digitize videotape. It involved an RCA to HDMI converter called MINI AV2HDMI, and a small video capture device that converts HDMI to USB.  Everything else I already had, or was available for free (the OBS "Open Broadcast Software".)  OBS is way over my head, but Jumble explained the basic setup in his video.  Once it was all connected, it still didn't work, but a quick Google search fixed that.  Hint - check your windows privacy settings.  I had all related settings for Windows Webcam turned off.  As simply as turning on permissions, and it was recording video.

    Beyond that, the resulting video files had an odd echo effect.  The audio was being mixed back into itself.  I turned off the desktop/mic volume in OBS, and it worked perfectly.  Or, at least as good as the videotape itself was.  Repairing the damage of years was beyond me.

    The result is a fabulous memory of some of my favorites.  I hope you can forgive the inconsistent video quality and enjoy the music!

    IMPORTANT NOTE!!!

OBS worked great... once.  I didn't use it again for a few weeks, and the next time I tried to use it, there was NO AUDIO.  After days of googling, struggling to learn, trying different things, I went looking for other solutions. Here's the step by step process that finally worked: VLC Media Player Transfer to VHS    

 

Introducing The Chapman Family ... Singing The Gospel

     I made mention that Freil Thrift was in two record albums with the Chapman family.  The one Monique found on ebay, "Redeemed By The Crucified One"... I've been posting about for several days now.  It came with 12 songs, 6 to a side.  All of those have been digitized by now, and uploaded to Youtube.  

    The seller listed it as being in "Very Good Plus".  At first, I questioned that.  There was a long shallow smudge that seemed likely to cause playback problems.  It took a day or so to gather the necessary equipment (record player, cables and converters) and re-familiarize myself with Audacity.  Recording went perfectly.  That smudge had no effect on playback.  The songs digitized perfectly - audio levels great, no clicks worth worrying about.   It went smoothly and took about an hour.  I was thrilled with it.

    The other album wasn't anywhere online to be found.  I had resigned myself to a long patient wait, when my sister told me she had one.  She called it "the green cover", and told me the one I have is the second one, while the green one is the first record Freil was ever in.  She also allowed that I might be able to borrow it.  So long as I returned it, because "it's as important as my Elvis gospel album!"
    (If you know Karen, you'll know that is the highest level of praise.)

    We were originally planning on her bringing it to Mom and Dad's for me.  I was already planning to visit this weekend.  At some point she realized she couldn't make it to the river (home is very close to the Satilla), so offered to meet up in Nahunta on my way home.  I spent yesterday "at the river."  On the way home, Karen and I met at the Gold House.  It's Nahunta's historic diner, a wonderful place to go.  Both for the memories, and the food.  They make wonderful southern food.  I love their fried chicken.  They also make about the best liver around.  And a great, thick burger and home-style fries.

    This time around, we just had coffee, and sat and talked for a bit.  Got home too tired to start digitizing the record right away.  Got up early this morning, pulled the record out.  Remember a few paragraphs ago, when I mentioned the "Very Good Plus" rating on the other album?  How I questioned it, because of the almost-scratch?  I take it back.  It deserves that rating.  When I looked at Karen's record, the rating would have been "Very Loved Plus."  This is what happens to an album when it's a family favorite, and gets played over and over... for about 50 years.

    As expected, playback wasn't perfect.  It was surprisingly good, though.  Only one spot completely skipped a word.  And that was near the end of a song, so not as high-impact as it could have been.  However.  I like that word.  It's dramatic, with a strong foreshadowing of bad news.  
    However, the album was full of clicks, and the volume was a lot lower than the other record.  To be fair, that's probably due to the way the album was created.  Audacity has a very versatile click remover.  And for the most part, it did a great job.  One or two spots I used custom settings, but most of the time default settings were fine.  Audacity also has a pretty cool amplify effect.  It calculates the highest safe level to raise volume to 0 db.  

    Click removal and the amplify effect fixed everything that could be fixed.  Did a bit of manual cutting and silence generation at the start and end of the songs.  Overall it went very well, but wound up taking three hours to get the best versions of all the songs.

    Best of all, it ended (literally) on a great note - the final song on side 2 was an instrumental, and Freil got a couple of excellent segments featuring his piano playing.  I'm thrilled at how well everything turned out.  It's going to take some time to get them turned into video clips so they can be uploaded to YouTube.  But it'll be absolutely worth it.  All those songs will be permanently available at any time, without having to add more wear to our treasured records.  And so many people who don't know the Singing Chapmans, and Freil's playing, will be able to hear and appreciate them.

The Singing Chapmans Redeemed: When I Wake Up

 

    When I Wake Up To Sleep No More is the 3rd song on Side One of The Singing Chapmans "Redeemed By The Crucified One" album.  I'm not sure how they handled copyrights back in the 60's and early 70's.  The album doesn't mention copyrights, or have author credits.  Years later, my uncle Freil mentioned that he had to pay an amazing amount to record certain songs, so I'm working on the premise that they had to obtain permissions, but not necessarily print it as such on the cover.

    For what it's worth, the song is written by Marion W. Easterling, and copyrighted in 1944.  Easterling was a pretty prolific writer, composing over 300 southern gospel songs.  One of his mentors, Dad Speer, is sometimes credited with writing at least one of the songs on this album (He's Mine and I'm His).  Easterling also has the distinction of a Guiness Book of World Records listing, for his 39 years of programming the gospel radio show, "America's Favorites."  You can find a bit more about him, and his music, at Hymnary.org.  

    I had hoped to post this yesterday, in keeping with trying to post once a day until all the songs from the Chapmans record albums have been acknowledged.  The plan was to write it after spending the day with my parents (and great-nieces).  It's a one-hour drive each way, and driving is not something I'm comfortable with.  By the time I got back, my mind and body were both worn out... wound up giving up early, reading a bit, then calling it a night.  

    Monique and I usually sit outside for a while, by the front door.  We gather up the dogs, sit in our rocking chairs, and talk about our day.  It's a good time to share our thoughts, and the dogs love it.  We Piper and Luna have 15-foot leashes, so they can freely wander the yard, or just sit in our laps.  They smell the night air, watch as the occasional car or person goes by.  If they're lucky, sometimes one of the neighborhood cats saunter by.  A good time is had by all.  :^)

    We both had pretty big days.  Monique made a batch of Macarons for an event a friend is attending.  She rarely makes them, but this is her second time recently.  I believe she plans on making them at least one more time, with a friend.  And I told her all about my day with family, what everybody did and said.  Sometimes we'll sit quietly for a while.  We didn't stay outside long.  It was a lot colder than we expected.  

The Singing Chapmans: He's Mine and I'm His

 

More from The Singing Chapmans, featuring the 2nd song from their "Redeemed By The Crucified One" album.  For the filename, and the Youtube title, I didn't use contractions.  I'm old enough to remember the days you could only use alpha and numeric characters.  At least here, it's done properly... He's Mine and I'm His.  

I looked it up, but couldn't find much.  It seems to be credited to G. T. Speer, but his song title reverses this one (I am His and He Is Mine), and the lyrics he's usually credited with don't match this one.  It feels like there are two songs with a similar title, but nobody else is linked to this one that I can find.  

It's not really pertinent here, since post is celebrating The Singing Chapmans, and especially my uncle, Freil Thrift.  It would be nice, though, to give credit where it's due.  I'd like to know the song's history, and who actually wrote this version's melody and lyrics.

Changing the subject a bit, or at least veering off on a different tangent, tomorrow is Saturday and I'm on my way to see my folks.  Looking forward to seeing Mom and Dad, and my great-nieces.  There's also a bit of serendipity to the trip.  My sister will be there too, and she plans to bring her original album of the first record Freil recorded with the Chapmans.  She's willing to loan it to me... as long as I return it posthaste.

That's perfectly fine, as I only need it long enough to digitize the songs.  I'm excited to hear that album again, and to get those songs on Youtube as well.  There's only two albums I know of that had Freil playing.  I miss him.  It's going to be great to hear again.  As with the other album, it's been 50 (or more) years since the last time I heard it.  

That's going to keep me busy. Between posting all the songs from the "Redeemed by the Crucified One" album, then borrowing Karen's album and sharing them, it should keep me busy for a while.  And... if I get really ambitious, there's a chance I have a Hi-8 video of him and I playing a duet... and if it still plays, might even have an old tape recording in a box in the shed.  Now I just have to find the energy to go through all those boxes!!

Not to mention, I'll need something to play them on.  We certainly have tape players around the house.  With luck, one with a headphone jack so I can transfer the audiotape onto computer.  The tough one is going to be a Hi-8 player.  Not so sure about that.  It's been years since mine broke.  My options are either a mail service that will transfer it for me, or finding a cheap player on eBay...  Guess I'll close up here and start researching.  

Childhood Memories - The Singing Chapmans

     A few days ago, I was reminiscing with Monique about my uncle Freil's piano playing, and talked about the two record albums he made as part of a southern gospel music family group called "The Singing Chapmans".  Monique, of course, searched on eBay, found one of the albums, and ordered it for me.  It arrived yesterday, and I've been on pins and needles since then, wanting to hear it, and more, to share their songs so everybody else can enjoy the music too.

    Opened the package, took pictures, but got stuck trying to figure out how I was going to play it; and even more importantly, get the music digitized.  We had a couple of record players around the house, and one was a self-contained unit that would have been perfect if I just wanted to listen.  But Monique and I both remembered having a record player years ago that was perfect, with RCA audio outputs hardwired into the case.  Couldn't find it.  Gave up for the night.

Next day, I'm home from work, to see the old record player at my computer.  Monique had found it.  Actually, she found it exactly where we tried to look last night, but she went back and dug deeper.  I've seen old players quit working because they were band driven, and after years, the band can get old, brittle, not play right or outright break.  It was a worry in the back of my mind, but as it turned out the player was just fine.

    There was a bit of technical trouble getting all the working parts to work together.  First, my current computer doesn't have RCA input jacks.  All it's got is microphone in.  There are a number of ways around that, but I chose a bit of a hack.  Out in the shed, in my old audio/video cables box (from the days I did video production), was a "mic in/stereo in" connector.  The same box also had a 1/8" male to male stereo audio cable.  Lucky day!  Like a Rube Goldberg drawing... phono player to RCA out to converter to 1/8" to mic input on the computer.  :^)

    Still not ready.  The record played, I could hear it through the computer speakers (headphones, actually).  But the volume was so low, it was almost more imagination and wishful thinking than reality.  Google to the rescue - it suggested I see what the volume is in the SOUNDS controller.  When I checked, the volume was already maxed, but...  there was a "Microphone Boost" slider that offered up to 30db more volume.  

    Since the audio was so quiet, I slid that thing straight up to +30db and started the record back up.  It nearly broke my eardrums.
I yelled and jumped about half a foot straight into the air, scaring Monique at the same time.  After REDUCING the volume a bit... it was perfect!  And with that, suddenly Audacity was up and running, the audio check worked, audio levels set perfectly.  Roughly an hour later, the entire album is saved to my computer, one song at a time!!

Plus, I got to listen to music I haven't heard in 40 or 50 years.  Smiling the entire time.  It was like regaining a treasure I'd thought long lost.  Good memories of good times, music I never thought to hear again.

Next, I'll put the songs together with an image of the record album, and upload the videos to Youtube.  It may take a few days, but when I post again, there'll be something special for you to listen to.  

These Wonderful Broken Years

 I haven't written here in a while.  Things haven't gone as planned.  Today, I'm writing about a dream that stayed with me after waking this morning.  In the dream, I was in my grandmother's house, as it had been in my childhood.  There were people there, but I don't remember who.  It feels like they were cousins from more current times.  Not that I saw them, just heard voices in the distance.

There was a record album playing on an old-style victrola, though the machine looked brand new with wood-tone sides, an off-white face, and a brass amplifying horn that shone brighter than anything else in the dream.  The music was just background noise, pleasant old-style stuff but nothing worth paying attention to, until the final track began.  It was the kind of orchestral music you'd hear on the old Lawrence Welk show, strings, wind instruments, with female voices, in sweet three-person harmony, singing just the ending phrase of the song - "These wonderful broken years, wonderful broken years, these wonderful broken years."  Not the best lyrics, but fair enough as the closing line of a song.

The entire album track was just that one sentence, like they'd missed the beginning of the song and only recorded the last few seconds.  That was the final song on the album.  Just a fraction of a clip. In the dream, I wondered why it was so short.  I picked up the album to look at the tracks.  There were several full length ones, but that last track, the one I heard so clearly, was just a very short section.  You could see the grooves for all the other songs were normal length, but the final set of grooves was extremely short.  The record label was blurry except for the last song listed, which had the title, in an elegant cursive font, "These Wonderful Broken Years".

I can still hear the music in my mind.  It's a unique dream for several reasons.  First, I rarely remember dreaming, and when I do, it's normally just a hodgepodge of images and events.  If I have a clearly remembered dream, it's usually the result of having a high fever.  Fever dreams are ultra-realistic, and usually nightmarish.  Second, I've never before been able to 'read' in a dream.  See written material, understand it in the dream's context, yes.  But not literally see it, and read it so clearly that after the dream I can still see the record, and the text on it, and have the words be so legible and meaningful.

Third and strangest, that short clip doesn't sound like any song I can remember. It was clear, distinct, and the instruments and voices were beautiful. In my whole life, I have no recollection of ever dreaming actual music with words, much less music that sounded pretty.

I googled the words as soon as I woke up, but there were no exact matches.  The dream is already fading, but the clip of music is still in my head.  I'll play it on my keyboard and save the sound file, to make sure I won't forget the tune.  I really wish the dream had played a whole song.  It's going to haunt my thoughts, wondering why and how the dream was so specific and so realistic.  It had a nice melody, instruments and voice harmonizing well, clearly remembered words and written text that was actually legible.  It feels like there should be meaning to it, but as far as I can tell there's no meaning.  Just an incredibly clear fragment of a dream.