Goodbye World Goodbye: A gospel music duet with Freil Thrift

 

    This was a long time in the making.  The photo in the video is of Freil and myself playing, when I was 2 years old... in 1962!  The music is from a 1996 family reunion.  Freil had already played several songs.  It was a recurring theme for him.  Every time he went to any church, or anywhere with a piano, people knew him.  They'd keep asking him to play, and when he did, it was rarely one song.  So many people had favorites that they'd ask for.  No matter how long he played, people always wanted more.

    We all loved to hear him play, but looking back, it must have been difficult.  He never just "went to church."  No matter how far afield he went, someone knew him, word spread, and he'd wind up playing for the church that day.  I've heard that he went to the library in Nahunta to check out a book and had to sign up.  When the librarian asked him for his photo ID, he said "I'm Freil Thrift."  She replied "I KNOW who you are, but you still have to have an ID to sign up!!!"

    That was Freil.  Everybody knew him.  So at this particular reunion, he tried to take a break and asked me to play.  Someone asked for a duet.  Goodbye World Goodbye was my all-time favorite Freil Thrift song, and I'd spent a long time trying to learn it in his style.  A really long time...

    We sat down, and it was magic.  One of the most joyous moments in my life.  Everything went perfectly.  Every singer, every musician, who ever worked with Freil will tell you he made them sound better.  It's the gospel truth.  No matter how good they were, Freil knew how to bring out their best, and raise them to a level they couldn't reach alone.

    It was the same for me.  I've never sounded better, before or after that day.  When you're listening to the video, pay attention to the high notes.  That's him.  I had the mid-range.  We never practiced this song, and I know he preferred to play in the key of 'G'.  But I'm best in 'C', and pretty weak in other keys.  So I played in C, and he matched me on the spot.  Without a single missed note, he played in my key, at my pace, and every note he played enhanced my own.  

    Finding this footage, even an edited copy of a copy, being able to hear us play together after all these years, is beyond amazing.  It means more to me than I can express.  Like Camelot.  For one brief shining moment the world was clear and perfect.  Hearing this again brought that moment back for me.

    Still searching for the original Hi8 footage, but in the meantime, this will do most excellently. :^)

The Singing Chapmans: Something I Can Feel, & One Day I Will

    "Something I Can Feel" is the fourth song on side one of The Singing Chapmans "Redeemed By The Crucified One" album.  The song was written by Elmer Cole. For lyrics, click HERE.

    I've tried learning about Elmer Cole's life, and what else he wrote, but nearly every mention I can find is in reference to an article about someone else.  If you can point me to any website or article that has authoritative information, please leave the link in a comment.  It's hard to believe how little there is, when he's written songs like "I Found The Answer", I'm Looking for Jesus, and the fantastic "Ten Thousand Years." (This info, and a little bit more, were on the blog Southern Gospel Tidbits.)

    I found multiple mentions of him being with Willie Wynn and the Tennesseans, but again, his name was included, but no further information.  I'm not so familiar the most of the songs I can find for him, but have heard "Ten Thousand Years" all my life.  It was one of the songs Aunt Elsie Mae sang (and Uncle Freil played) as a special in church.

    "One Day I Will" is the fifth song on "Redeemed By The Crucified One."  It was composed by Walt Mills and John Stallings, or perhaps written by John Stallings, and performed by Walt Mills.  What little I could find seemed unclear, none of it from an authoritative source.  The lyrics can be found on Bluegrass Lyrics.com.

    Again, there's not much available other than their names being included/listed on a large number of websites.  Certainly no life stories, inspirations, or quotes.  There are some Youtube videos if you search, but again, nothing I'd consider a reliable source.  This is starting to look like a trend.  I'm not sure if it's more modern gospel, less-known gospel, or if the nature of online information has changed.  

    Over ten years ago, it seemed there was never a shortage of information about gospel composers and musicians.  This blog, "Grace Notes", is a recreation of a blog I kept from around 2012-2022.  Actual life got in the way, the site languished, and eventually I let it go.  This is a recreation of the spirit of that blog.  Years ago, there were Wikis, active forums, personal accounts, historical sites, all kinds of sources to help paint a picture of the songwriters that influenced my childhood.  Now, it's a desert.  Maybe I'm just not using the best search terms.  

    Whatever the case is, I'll leave you with these two songs for now.  For future posts, if I can't find enough information about the writers, or the song, I'll just give whatever brief details there are, and include multiple songs per blog.  No sense filling up all my pages with "I don't know, and can't find out."

It's been a busy week at work, to the point several friends from other offices are chipping in and helping to get the work done.  Tomorrow's Friday.  I'm off to see my parents on Saturday.  Something to look forward to.  I can't wait!

Off Topic - Roger Zelazny's Unicorn Variation As Read By Rene Auberjonois

     I'm going off the beaten path today.  Usually I'm all about Southern Gospel Music, or things that have some bearing on getting this blog where I want it to be.  Today, it's still about audio, but not about music.  It's about searching for one thing, and finding another.  It's about synchronicity.  It's about searching the shed for a 35 year old audio tape of my Uncle playing the family piano, and in the process, finding a 28-year old audio tape that I wasn't even thinking about.

    One of my favorite writers, Roger Zelazny, wrote several of my favorite stories.  That includes "Unicorn Variation", and to a lesser extent, "Angel Dark Angel."  Both of these stories are on an audiocassette, and read by Rene Auberjonois.  The tape was produced by Durkin-Hayes in 1995.  If you don't know who Auberjonois was, you'd probably recognize him as Odo, in Star Trek: Deep Space 9.  If you like niche sci-fi (syfy), you may recognize him as Hugo Miller, from Warehouse 13.  Numerous other things, but what you may not know is that he "read" for a large number of audio book productions.  And that he could breathe life into his readings with majestic ease.  When you listen to him, the characters came to life.  Each had their own voices, and mannerisms.  I've always loved to read, but listening to Rene read the stories out loud, added another layer to my enjoyment.  

    I've intended for years to find that tape, and transfer it to an MP3 file.  Because tapes wear out.  They degrade, the audio fades, the tapes stretch.  28 years later is stretching my luck.  Recently, I've been on a related quest to upload old audio recordings of my Uncle Freil on piano.  In the process, I've had to buy a new tape player, and re-learn how to use Audacity, something I haven't worked with in over a decade.  So finding "Unicorn Variation" might have been unintended at this exact moment, but it's been in the back of my mind for years.  And this was the perfect time to find it again.  For the most part, the audio quality is still nice and clear.  There was one section that had some trouble, but the words were still clear, so I'm okay with a bit of hiss and clicking.

For anybody not familiar with Zelazny, I usually think of him as a fantasy/sci-fi writer.  But that's like saying the sun's hot.  Zelazny wrote concerts with words.  He's not for everybody, and I'm not thrilled with everything he wrote.  But he used words like Leonardo da Vinci used paints.  Like Michelangelo used a chisel.  Everything he wrote was a work of art.  In Unicorn Variations, a lone traveler meets a chess-playing unicorn at an abandoned bar in a ghost town, with the fate of the world hanging on a single game.

    It's the kind of story I love;   nobody is 'the bad guy.'  The story is full of charm, wonder, and wit.  I've read it many times, and listened to this tape off and on since the mid-1990's.  Angel Dark Angel is also a "read many times" story, but it lacks the wonderful whimsy of "Unicorn."  

    So now I have both stories, read by the remarkable Rene Auberjonois, as mp3 files.  I'll back them up on a few hard drives, download them to my cell phone, and never lose it again.  PLUS, at the end of the tape, Rene mentions he's also recorded Zelazny's "Last Defender of Camelot."  Now that one... that one is arguably my most favorite short story in my entire life.  

    Monique and I both spent some time today trying to track down a copy.  Not on eBay, not on Amazon, nor AbeBooks.  Not on any niche sites I ran across.  Not on Youtube (I searched, in case another fan felt like sharing).  Youtube did have an old Twilight Zone episode base on it, but it didn't live up to the book.  Not even close.

    So, still hunting for an audiobook of "Last Defender of Camelot."  If you know how I can get hold of one, I'd appreciate a comment or email.  :^)